DR-60DMKII
4-Track Audio Field Recorder & Mixer for Audio/Video
TASCAM's DR-60DmkII, an update of the award winning DR-60D, is the audio recording solution for on-set filmmakers and videographers. The streamlined design fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limited audio quality of the camera’s microphone in.
- Simultaneously record up to 4 tracks
- Recording format: 44.1/48/96kHz, 16 or 24-bit, WAV/BWF
- TASCAM HDDA microphone preamps wth 120dB EIN and 64dB of gain
- Two combo XLR/TRS inputs support +4dBu mic/line level input
- Phantom power to channels 1/2 (24V or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60DmkII mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Recording media : SD card(64MB to 2GB), SDHC card(4GB to 32GB)
- Number of channels : 4-channel (stereo x2)
- Power : Four AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P520U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately)
- Dimensions : 133(W)×93.2(H)×78(D)mm (with the top adapter attached)
- Weight : 605g(including battery), 510g (not including batteries)
- DR-60DMKII × 1
- USB cable × 1
- Owner's Manual (including warranty) × 1
- TASCAM ID registration guide × 1
Multiple Record Modes Meet Any Challenge On-Set
The DR-60DmkII includes several recording modes to adapt to any recording scenario:
MONO/DUAL MONO mode:
Ideal for single source microphones, like using a shotgun together with a clip-on lavaliere mic
STEREO/DUAL STEREO mode:
These modes are ideal for shooting with a stereo or mid-side microphone. A Mid-Side Decoder is built in, and can be added either during monitoring or before recording
4CH mode:
This mode records all four microphone inputs to their own tracks.
DUAL MONO and DUAL STEREO mode:
Records a back-up safety track in case levels are set too high and clipping occurs. The safety track can be set to record from -6dB to -12dB below the initial take. If an actor suddenly screams a line, you have a backup recording that isn’t distorted
A Variety of Inputs and Outputs With Internal Mixing
The DR-60DmkII can record up to 4-tracks simultaneously, allowing multiple microphones to be used while filming. Inputs 1/L and 2/R can be selected for mono or stereo link operation. Three sets of stereo outputs are provided. A Camera Out sends a reference track recording to the camera. The Line Out can feed a mixer or recorder. Finally, a powerful Headphone Out is available for direct monitoring. Each of these outputs has its own level control, and the Camera Out can be attenuated to microphone level without the need for an attenuating cable. The DR-60DmkII has an internal digital mixer for all 4 tracks. Adjust pan and level, add a Limiter or Hipass Filter (40/80/120Hz), and set individual channel Delay from the user-friendly set-up. The DR-60DmkII is ready to use right out of the box with its external, non-menu-intensive controls.
High-Quality HDDA Mic Preamps
High quality mic preamps are a necessity for high-grade sound. The DR-60D's HDDA mic preamplifiers (High Definition Discrete Architecture) employ discrete circuitry and premium parts, approved after months of evaluation testing. The HDDA s circuit achieves an incredibly high EIN (-120dBu) for the lowest noise level available. The DR-60DmkII mic preamps have been upgraded for up to 64dB of gain with new XLR input jacks for greater cable compatibility. A CIRRUS LOGIC's AD converter (used also on the DR-40 portable recorder) is used to ensure detailed recording from any input signal.
Dedicated Camera Output
The CAMERA OUT connector sends the mix from the DR-60DmkII to your camera. An adjustable level control is provided, as many DSLR cameras lack an input control. The camera audio gets a clean mix from the DR-60DmkII to assist syncing tracks in editorial.
Most modern editors – including Final Cut Pro X and Adobe Premiere – include a function to automatically synchronize audio recordings with camera clips. If your editing software lacks this feature, applications such as Red Giant PluralEyes can automate the process.
Slate Tone Generator for Tighter Lock
The internal slate tone generator produces various tones for easy track making and recognition. Slate tones can be generated two ways:
Automatic: Tones are added to the head or the head and tail of each clip (from 0.5 – 3 sec)
Manual: Push the SLATE button to record a tone
Additional Features
Ch 3 & 4 Inputs Support High-Output Microphones
The channel 3/4 input connector supports a high-level maximum input – up to +10dBV. Many microphones designed for use with video cameras have a high-level output and a 3.5mm output connector. Plug-in power is also available for microphones that need it.
Tripod Mounting on Top and Bottom
The DR-60D can be placed between a DSLR Camera and a tripod, or mounted to a cage or follow-focus rig. A tripod socket is on the bottom of the unit, and a (removable) tripod bracket is mounted on the top.
Lightweight Body Designed for Rugged Portability
The DR-60DmkII's body was manufactured with very rigid plastic for a durable but lightweight design. TASCAM understands how important weight is to steady camera movement when filmmaking. In addition to its light weight, the feature-rich DR-60DmkII is extremely compact. Only 5.25" wide, the DR-60DmkII won’t interfere with camera operation. All batteries can be replaced without removing the device from the Camera or tripod / rig.
タイトル5
テキスト5
Features at a Glance
- Simultaneously record up to 4 tracks
- Recording format: 44.1/48/96kHz, 16 or 24-bit, WAV/BWF
- TASCAM HDDA microphone preamps wth 120dB EIN and 64dB of gain
- Two combo XLR/TRS inputs support +4dBu mic/line level input
- Phantom power to channels 1/2 (24V or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60DmkII mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Tripod mounting socket (bottom) and mounting screw attachment (top)
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Low cut filter (40/80/120Hz)
- Limiter (1/L and 2/R can be selected for linked operation)
Find a Local Dealer
LEARN MOREPair with your DR-60DMKII
You might also like
Spec Description
Recording media | SD card (64MB to 2GB), SDHC card (4GB to 32GB) |
Recording format | |
WAV | 44.1k/48k/96k Hz, 16/24-bit |
BWF | 44.1k/48k/96k Hz, 16/24-bit |
Number of channels | 4-channel (stereo x2) |
Analog audio input | |
1/L, 2/R connectors | |
Connector | XLR-3-31 (1:GND, 2:HOT, 3:COLD) / 1/4" (6.3mm) TRS standard jack |
Set to "MIC / MIC+PHANTOM" | |
Input impedance | 2kΩ |
Phantom power | 48V ±4V (10mA/CH) / 24V ±4V (10mA/CH) |
Maximum input level | 0dBu |
Minimum input level | –72dBu |
MIC input gain | TRIM MAX |
LOW | +11dB |
MID | +36dB |
HIGH | +52dB |
HIGH+PLUS | +64dB |
Set to “LINE” | |
Input impedance | 10kΩ or more |
Standard input level | +4dBu |
Maximum input level | +24dBu |
3-4 connector | |
Connector | 1/8" (3.5mm) stereo mini jack (this connector can be supplied plug-in power) |
Input impedance | 10kΩ |
Maximum input level | +10dBV |
Minimum input level | –50dBV |
MIC input gain | TRIM MAX |
LOW | +3dB |
HIGH | +26dB |
HI + PLUS | +38dB |
CAMERA IN connector | |
Connector | 1/8" (3.5mm) stereo mini jack |
Input impedance | 10kΩ |
Standard input level | –10dBV |
Maximum input level | +6dBV |
Analog audio output | |
CAMERA OUT connector | |
Connector | 1/8" (3.5mm) stereo mini jack |
Output impedance | 200Ω |
Standard output level | –50dBV |
Maximum output level | –30dBV |
LINE OUT connector | |
Connector | 1/8" (3.5mm) stereo mini jack |
Output impedance | 200Ω |
Standard output level | –10dBV |
Maximum output level | +10dBV |
PHONES connector | |
Connector | 1/8" (3.5mm) stereo mini jack |
Maximum output level | 50mW + 50mW |
USB | |
Connector | Mini-B type |
Format | USB2.0 HIGH SPEED mass storage class |
REMOTE | |
Connector | 2.5mm TRS jack |
Power | Four AA batteries (Alkaline or NI-MH), USB bus power, Dedicated AC adapter (TASCAM PS-P520U, sold separately), Dedicated external battery pack (TASCAM BP-6AA, sold separately) |
Power consumption | 5.4W |
Continuous operation time | 2ch WAV, 44.1kHz, 16-bit Rec, *All times are approximate. |
DR-60D alone | |
Alkaline batteries (EVOLTA) | 2-½ hours (Phantom ON) 4-½ hours (Phantom OFF) |
NI-MH batteries (eneloop) | 3-¼ hours (Phantom ON) 5 hours (Phantom OFF) |
NI-MH batteries (eneloop pro) | 3-¾ hours (Phantom ON) 6 hours (Phantom OFF) |
DR-60D with BP-6AA | |
Alkaline batteries (EVOLTA) | 5-½ hours (Phantom ON) 10-½ hours (Phantom OFF) |
NI-MH batteries (eneloop) | 7-½ hours (Phantom ON) 12 hours (Phantom OFF) |
NI-MH batteries (eneloop pro) | 9-½ hours (Phantom ON) 14-½ hours (Phantom OFF) |
Dimensions (W×H×D) | 5.2" × 3.7" × 3.1" / 133 × 93.2 × 78 mm (with the top adapter attached) |
Weight | 1.12 lbs. / 510 g (excluding batteries) |
Operating temperature | 32˚F to 104˚F / 0˚C to 40˚C |
Standard accessories | USB cable, warranty card, Owner's manual |
Computer compatibility | |
Windows | |
OS | Windows XP, Windows Vista, Windows 7, Windows 8 |
CPU | Pentium 300MHz or more |
RAM | 128MB or more |
USB | recommended: USB2.0 |
Macintosh | |
OS | Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4), Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7), OS X Mountain Lion(V10.8) |
CPU | Power PC, iMac, G3, G4 266MHz or more |
64MB or more | |
USB | recommended: USB2.0 |
Audio performance | |
Frequency response | 20Hz to 20kHz +0.5/–2dB (LINE IN or MIC IN to LINE OUT, Fs 44.1k/48k Hz, JEITA) 20Hz to 40kHz +0.5/–3dB(LINE IN or MIC IN to LINE OUT, Fs 96kHz, JEITA) |
Distortion | 0.02% or less (LINE IN or MIC IN to LINE OUT Fs 44.1k/48k/96k Hz, JEITA) |
S/N ratio | 92dB or more (LINE IN or MIC IN to LINE OUT Fs 44.1k/48k/96k Hz, JEITA) |
Equivalent input noise | –120dBu or less |
Recording Duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
File format (recording setting) | SD/SDHC card capacity (hours:mintes) | ||||
1GB | 2GB | 4GB | 8GB | ||
WAV/BWF 16-bit (STEREO) | 44.1kHz | 1:41 | 3:22 | 6:44 | 13:28 |
48kHz | 1:33 | 3:06 | 6:12 | 12:24 | |
96kHz | 0:46 | 1:33 | 3:06 | 6:12 | |
WAV/BWF 24 bit (STEREO) | 44.1kHz | 1:07 | 2:15 | 4:30 | 9:00 |
48kHz | 1:02 | 2:04 | 4:08 | 8:16 | |
96kHz | 0:31 | 1:02 | 2:04 | 4:08 |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
Notices About Products
Documents
Manuals
Owner's Manual | 06-25-2019 |
|
|
---|---|---|---|
Reference Manual | 12-02-2014 |
|
Firmware / Software
Instructions
Firmware update procedures | 09-26-2017 |
|
|
---|---|---|---|
Release Note (English) | 09-26-2017 |
|
Firmware
Firmware V1.11 | 09-26-2017 |
|
|
---|---|---|---|
Firmware V1.10 | 07-05-2016 |
|
Software
Poly/Mono Converter for Windows | 03-13-2013 |
|
---|
Compatibility
SD Supported Media | 03-27-2024 |
|
---|
FAQs
You need to "unzip" the files that you download, ending in ".zip" These files are compressed by the server to make your download times as quick as possible.
On Mac OSX, double-click the file to expand it.
On Windows OS, right-click the file and "Extract All."